Love Marriage is not in this vein. It is a precious little book, written first as an undergraduate thesis under the direction of the brilliant American writer, Jamaica Kincaid. The story is about a young woman who is detained from her undergraduate studies to help her parents tend to a mysterious uncle and his daughter. It is in such waiting rooms in one's life that one finds out not only about one's past (from the uncle), but also what one is ultimately made of. Indeed, how we deal with such pauses are often better tests of character than how we deal with the inexorable rush of our daily lives.
Evening is the Whole Day, on the other hand, has its pretensions, from a preoccupation with brand names to an almost claustrophobic set of character sketches in search of a plot (which comes very late in the book). There is also an uncle here, although he comes to move things along rather than to act as an anchor for the novel. The story is about a family in stasis, waiting for the elder daughter, Uma, to leave for college, and waiting for the servant, Chellam, to be sent off home for allegedly hastening the death of the grandmother.
These are both novels about Tamils. Love Marriage is about a Tamil-American family, whose successes are put on hold when the mother's brother, a Tamil Tiger leader, arrives in Canada to die. The daughter of the Americans, Yalini, has only fragments of Sri Lanka in her past, but the slow death of her uncle allows her to piece many of them together. This subsequently becomes the vehicle for V V Ganeshananthan to recreate the moral ambiguity of Sri Lankan Tamil nationalism, the riots of 1983, the emergence of the armed struggle, the descent of this war into chaos, and the departure of a large part of the Tamil middle class to places such as India, Australia, Europe and North America. The hold the Tigers have on this departed section remains very strong, and it is this that makes the uncle a hero in a small suburb of Toronto. Yalini is likewise led to her history through the allure of her uncle.
Evening is the Whole Day is about a Tamil-Malaysian family, whose patriarch marries a neighbour from a less-refined family; he seeks adulation rather than companionship, and in the end gets neither. They have three children and, along with his mother and a few servants, they all live together in what is always referred to as the Big House. The ailing mother requires a servant, who is specially hired for her, and whose wages go towards the inebriation of her father, who arrives monthly.