Women in Indian Film, 1-10
edited by Nasreen Munni Kabir
Zubaan Books, 2009
In the past, publications on women and Hindi cinema have become, more often than not, treatises on
Inscriptions on Pakistani trucks offer a key to understanding the popular worldview on the ground, and it is different from what the world hears about Pakistan.
Naga Identities:
Changing local cultures in the Northeast of India
by Michael Oppitz, et al
Snoeck, 2008
In 1939, an exhibition at the Museum für Völkerkunde in Vienna showcased the
Cast Out:
Poems of anger and angst
by Basudev Sunani
translated by J P Das
Rupantara, 2009
Modern Oriya verse is said to have begun in the 15th century, when
Paari Padukalam (The Death of Paari)
written and directed by Pralayan, 2008
Against a backdrop of increased marginalisation of minorities the world over under the banner of the US-led '
A pivotal scene in Ju Dou, Zhang Yimou's celebrated film examining the burden of tradition in China, features a procession full of pomp and extravagance. The main feature
Mailing pink chaddis, setting brasseries afire and more, all for the sake of women´s rights.
According to popular myth, women's-libbers of the 1960s burned their brassieres as
The problem of conceptualising Asian-ness is that it is not a question of finding similarities, but of envisioning the coexistence of diversities.
All one, perhaps –
bell, mountain, tree
and the
